Description
The Datasat AP25 delivers the precise reproduction of both digital and analog sources. It is the professional solution that is developed by sound engineers for the most realistic movie experience available in movie theatres worldwide.
The AP25 offers an outstanding array of features in a single box. With 16 channels of digital and analog inputs and outputs, it delivers an impressive total of 85 input options and 34 output options – almost double its nearest competitors. The result is that the AP25 is one of the few audio processors capable of 3D audio today.
Its market leading features include unique room optimisation technology, granular sound control and a comprehensive range of memory pre-sets to facilitate room tuning and the optimum playback of alternative content. The AP25 delivers a true-to-source sound stage with unbeatable voice intelligibility and crystal clear musical score and effects reproduction.
An 8 channel version of the Datasat AP25 is available for cinema exhibitors that have less demanding requirements but still demand outstanding sound quality. An easy upgrade path is available to the full AP25 product.
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Equalisers
Audio EQ
Dirac Live® Room Optimisation (option)
16-Channel Dirac Live® room optimisation
Installer kit required to install Dirac Live®
3rd Octave EQ
16 channels – 31 user-adjustable bandpass filters
Gain +/-6dB adjustable in 0.5dB steps
Frequencies range from 20Hz to 20kHz.
Parametric
16 channels with 3 user-adjustable parametric filters for shaping Subwoofer response.
Adjustable from 20 to 200Hz, gain +/-6dB in 0.1dB steps
Q range from 0.7 to 5.
Hi/Low Active Crossovers
Adjustable from 20Hz to 20kHz; adjustable slope of 6, 12, 18 or 24dB per octave (Linkwitz-Riley, Butterworth or Bessel)
Bass/Treble tone control
Adjustable +/-6dB at 150Hz and 5.5kHz
Corner frequency for bass adjustable from 50Hz to 300Hz
Corner frequency for treble adjustable from 1.5kHz to 12.0kHz
Automation
Automation Inputs/Outputs
Connector: DB25 Female
18 bi-directional GPIO’s plus additional 2 GPO only, optically isolated, mute and fader inputs
External +5v@140mA
35mm Film
35mm Film Optical Soundtrack Audio Processing (with optional H338 PCB)
Built-in processing for mono, A-Type and SR noise reduction.
Matrix decoding LT/RT to left, center, right and surround
Optical bass extension with adjustable low-pass filter and gain.
2 projector inputs for change-over operation.
Automation control for change-over.
BNC connectors for external RTA and oscilloscope.
Graphical user interface for A-chain alignment including optical gain, slit-loss EQ, and azimuth.
Management
Remote Control
RS232 DB9 Female
10/100Mbps Ethernet
Can be controlled by smart phone, iPad, Android based devices via iRule or VNC
Crestron Integrated Device
Setup/Operation Profiles
Named profiles identifying inputs, output, filter and channel gain settings
Touchscreen or automation format switching
Export/Load of user profile to additional cinema processors with identical room setups (via USB)
Configurable for up to 40 user defined named format selections. Format selections include processing options along with a selected named set for EQ and output channel profile.
Configurable for up 40 user defined named EQ sets which include definitions for Dirac optimization, third octave EQ, parametric EQ, bass and treble controls.
Configurable for up to 40 user defined output channel profiles which include output channel names, output routing, crossover high/low pass filters.
User defined input selections controllable by Touchscreen, GPIO, or ethernet
Export/Load of user configurations via USB
Delays
Audio Delays
Individual Channel Delays
Input delay 0 – 999ms
Output delay 0-120ms
Global Delay
0 –1000ms
Note: Total delay per channel not to exceed 1000ms